Applicants sought for Kiva Editor for Volumes 91-93. For details go to the Kiva page under the Publications Menu
Join AAHS for a 2-day in-depth tour of historic sites from Flagstaff to Grand Canyon Village. State Park Rangers, Forest Archeologists, Grand Canyon National Park Historical Architects, and NAU Archeology […]
This lecture is offered through Zoom. Beginning September 2023, AAHS monthly lectures will be held at the U of Arizona, ENR2, Room 107 and simultaneously broadcast through Zoom. This lecture […]
This lecture is offered through Zoom. It will be recorded and posted after the lecture on the AAHS youtube channel. Beginning September 2023, AAHS monthly lectures will be held at […]
Join AAHS current president and retired Arizona State Museum Archaeologist, Rich Lange, for a 2-day tour of the Ancestral Puebloan sites at Homolovi State Park and petroglyphs at Rock Art […]
CHOOSE HOW YOU WILL ATTEND Join us in person University of Arizona Environmental Resources Bldg. # 2 Room 107, Agnese Nelms Haury Lecture Hall, 1064 E Lowell St, Tucson, […]
The Arizona Archaeological and Historical Society (AAHS) is pleased to announce the 2023 competitive subvention grant program for AAHS members. The purpose of this program is to provide money in […]
Cultural chronologies in the desert basins of the Southwestern U.S. rely on radiocarbon dates and ceramic sequences that are limited in terms of resolution. More precise dating methods, such as dendrochronology, have not been traditionally applied here due to the limited number of datable trees in arid locales.
Join us for a private tour of San Xavier del Bac led by Starr Herr-Cardillo. San Xavier’s spectacular baroque interior and ambitious dome and vault construction make it a unique […]
Distributed amidst the petroglyphs at three of the largest Ancestral O’odham (Hohokam) petroglyph sites in Southern Arizona are assemblages of boulders that resonate when struck producing distinct bell-like sounds. The visual traces of sound-making on large bell rocks and adjacent bedrock indicate they were not only chimed with percussion strikers to resonate with sound but also were abraded with a grinding motion to produce volumes of sound.
